|cel detail: "The Hat"|
I'm just back from a retrospective of the animations produced by John and Faith Hubley at the Siskel Film Center in Chicago.
I'm breathless over the short animation from 1964 called "The Hat."
|cel detail - "The Hat"|
It's a pitch-perfect antiwar tale -- timeless. You can read about it in detail on the Michael Sporn Animation blog. (Check on the WorldCat website to find a copy of "The Hat" in a library near you.)
I don't know what part of "The Hat" I like best: the totally convincing dialogue (spoken by Dizzy Gillespie and Dudley Moore)? the original soundtrack they created? the mythic arc of the story? the exquisite drawings?
|"I ... must ... have ... my ... HAT!"|
War abolition in words and images a 6-year-old -- or a 60-year-old -- can understand.
Where are we going to get more of this kind of work to power the movement to abolish war?
It is the combination of the fire and the fact that it is a couple of children that are up against it that makes the reality of Grave of the Fireflies so undeniable.
(See Can We Confront the Fire and Blast of Nuclear War and Still Remain Human? (Watching "Grave of the Fireflies") )
(See Approaching Hiroshima: A Challenge for Children's Literature and Peace Education )
(See Everyone Talks About World War I, But No One Does Anything About It )
I'm grateful to my friend, Jim Barton, for framing the problem in a way that is adequately broad, and yet contains a measure of hope. It's about the future, and whether we have one -- or can construct one -- he said. Young people today are asking: Do I have an economic future? Does the planet have a future? Will (nuclear) war extinguish everybody's future?
(See A FUTURE: Can we construct one? )
(See Renouncing War: An Opportunity Not To Be Missed )